A Burning Start: The Midnight Walk Opening Pulls You In Fast
The Midnight Walk doesn’t waste time. The second you hit “Start,” you’re dropped straight into that eerie, dreamlike – or nightmarish more like – world. There’s no lengthy cutscenes, no hand-holding or deep lore that they exposition in your face right from the get-go. It’s got that classic indie horror intro energy: just you, your companion and a creeping sense that something’s gone horribly wrong. I cannot be the only one to assume based off the trailers that you were going to be playing as the cute little flaming head boy. Turns out actually, nope – but he does assist you for the whole nightmarish ride. After realizing this its “well, I guess we’re in this together now little buddy!”
This also happened to be the first game I played using my new Sony headset. The sound design is a standout—jazzy, moody, and just off-kilter enough to let you know this strikes the perfect nerve of endearing and unsettling. Every creak, whisper, and warped piano note feels like it’s happening just behind you. Visually, it’s got this Tim Burtonesque flair: twisted, shadowy environments with just enough whimsy to make the nightmare feel like it belongs in a children’s storybook— albeit one that was never meant for kids. It all wraps you up in a vibe that’s equal parts haunted and enchanting – a vibe that I never get tired of.
Table of Contents
Yeah, It Walks – But It Walks with Purpose
If you’re one of those people who hears “walking simulator” and immediately rolls your eyes—hey, slow your roll. The Midnight Walk might be light on gameplay in the traditional sense, sure, but if that’s where you tap out, you’re kinda missing the magic. Like What Remains of Edith Finch, it doesn’t just lean into the walking sim thing—it struts with it. Full confidence, chest out, like “yeah, I’m a vibe first, buttons later – deal with it.” It’s all about mood, momentum, and that delicious tension that builds with every slow step. And here? That atmosphere doesn’t just carry the game – it cradles it like a velvet-lined coffin.
Yeah, the game leans hard into some familiar territory—lighting your way through the darkness, one flickering flame at a time. It’s a classic horror move. But look, there’s nothing new under the sun… or moon, in this case. Strip anything down to its bones and it’s gonna sound generic. What matters is how you dress it back up—and The Midnight Walk? It takes those well-worn tropes, gives ’em a little spark (pun fully intended), and repackages it into something that feels fresh and approachable. It’s not trying to reinvent the genre—it’s just doing what it does really well, no acquired taste required.
A Smooth Stroll Through a Twisted Dream
When I say this game is easy to digest—I mean it’s really easy. Like, shockingly so. There were moments I caught myself wondering, “Wait… that’s it?” But weirdly, I never felt bored. The game never tries to stump you, it’s the design. There’s no combat and not really much of an inventory management to speak of. Even the puzzles – if you can call them that – don’t really demand much brainpower until the last couple chapters. I could count on one hand the number of times I actually had to stop and think for more than a minute. And honestly? That worked. It kept the momentum flowing, the tension building, and the focus right where it should be: soaking in the strange, surreal nightmare you’re drifting through.
Strange Creatures from a Dark Place
They feed on flames. The Crawlers, that is. One of the main enemy types you’ll be hiding from throughout your journey—and yeah, they’re just as unsettling as they sound. Aside from the usual comparisons (Inside, Limbo, Little Nightmares), I also picked up a bit of Journey DNA in here. It’s not a horror game, sure, but there’s something about the way The Midnight Walk handles movement, atmosphere, and quiet storytelling that gave me flashbacks in the best way.
Every Chapter Tells a Secret – Together, They Tell the Story
Anyway—let’s talk story. The game’s split into around five chapters, each with its own self-contained tale. The first four focus on individual character tragedies – usually the kind of moment that pushed someone over the edge into becoming something… darker. Every single story and character was unique – some charming, some downright terrifying. And honestly, whether it was on purpose or not, when I wasn’t shaking trying to hide from the monster, I was laughing like an idiot at how silly it could be. One minute I’m tense as hell, the next I’m cracking up because of just how quirky and hilarious a lot of the random NPCs are. That mix of creepy and goofy kept the whole thing feeling fresh and unpredictable. It’s up to you and your little flaming-head buddy to light the way, uncover what went wrong, and maybe, just maybe, bring a little peace to the broken things left behind.
You Were Probably Drawn In by the Stop-Motion Vibes, Huh?
It’s cool. As was I. And honestly—how many games really pull that off? The Midnight Walk looks like a twisted little art project that someone brought to life at 3AM during a thunderstorm. It’s got that handmade, stop-motion look where everything moves just a little too weird to feel safe—but that’s exactly why it works. Characters wobble around like haunted puppets, the world feels like it was stitched together from cardboard, clay, and nightmares, and every frame feels like it could be paused and framed on a wall. It’s not trying to look “real”—it’s trying to look unreal in the coolest way possible. The art style doesn’t just set the tone—it is the tone. You’re not just playing through a horror story, you’re walking through someone’s haunted sketchbook, and it rocks!
Indie Game of the Year 2025?
The Midnight Walk might not be the flashiest or the longest indie out there, but it nails what it sets out to do with style and heart. It’s weird in all the right ways, beautifully put together, and leaves a lasting impression without overstaying its welcome. It knows exactly the kind of experience it wants to give you, and it delivers without dragging its feet. The vibe sticks with you, the world feels handcrafted, and it somehow balances creepy, funny, and heartfelt without falling apart. I’ve still got a lot of games to play this year in 2025 – but this one? Yeah, it’s staying on my radar.
Final Consensus
The Midnight Walk doesn’t try to be the biggest, boldest indie horror of the year – but it ends up being one of the most memorable. From start to finish, it kept me locked in – never a dull moment, never overstaying its welcome. It was eerie, funny, heartfelt, and visually appetizing. Just a beautifully crafted experience that felt more like interactive art than just another game.
Huge props to MoonHood for putting this out into the world. The creativity, the care, the weird charm of it all—I’m officially a fan now. If this is what they’re capable of, I seriously can’t wait to see what they’ve got cooking next. The Midnight Walk lit the path, and I’m looking forward to the next project they spark next.
Verdict: 9/10